Reviews of Nobody Wants to Read Your Sh*t
1-Sentence-Summary: Nobody Wants to Read Your Sh*t combines countless lessons Steven Pressfield has learned from succeeding as a writer in advertising, the movie industry, fiction, non-fiction, and self-help, in order to assist you write like a pro.
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This is the best book I've read virtually writing and so far. With a l-year writing career under his belt, Steven Pressfield sure has a thing or 2 to share about what makes a good sentence, paragraph and book. What's more, since he's succeeded in various fields, y'all'll learn to approach from various angles.
Sometimes, you need to think like a marketer or screenwriter, other times you'd best wear your novelist hat. Pressfield delivers 119 lessons in his usual, articulate-cut, no-BS, witty style, which take already changed my writing style several times over this year. I feel like it'south helped me constantly learn equally I write, because information technology's a form of deliberate exercise.
In today's world, this is more than of import than ever. Your writing can never become stale, because what writing succeeds changes every twenty-four hours. Hence, the following 3 lessons volition help you stay relevant for years to come:
- If you don't have a concept, don't showtime writing.
- Detect the problem your text solves and it'll be easier to go it on paper.
- Interruption everything you write into three parts: first, middle and end.
Set to gear up the sobering fact that Nobody Wants to Read Your Sh*t? Here we go!
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Lesson 1: Every slice of writing must accept a concept.
Steve started his writing career equally a copywriter when he was 19. One of the first things he learned in the world of slogans is that each campaign must put a unique spin on an existing idea. Anybody hates commercials and most people even hate reading, so any you float in front of their eyes better crusade strong emotions.
Whether the reaction is "interesting," "outrageous," or "wow," the perspective you provide has to temporarily shut out all other perspectives past approaching a known result from a completely dissimilar angle. An instance Steve makes is that number two players in large industries, like fast food, the soda market or rental cars, can turn their argent medal into gold past embracing it. That's why 7Up calls itself the "uncola" and Avis promises to "try harder."
In the aforementioned vein, when diamonds were first marketed as a token of eternal love, this immune them to displace all other rare bolt in the jewelry market. Later on all, if y'all're non proposing to someone you'll love forever, what the hell are you lot doing?
Earlier yous write the beginning line, come with a concept.
Lesson 2: Writers solve problems.
Thousands of hours of writer'due south block are acquired around the world each and every single day past two seemingly simple questions:
- What practice I write almost?
- How am I going to say what I want to say?
Much Resistance tin exist eliminated past replacing those 2 with 1, much simpler question: What's the trouble hither? When you think of your writing equally a fashion to solve a problem, yous're well on your style towards the solution, because the solution always lies within the problem itself.
For example, the trouble of the companies we talked about was that their product was adept, but not selling as much as their primary competitor. Once you see you're abaft behind, you tin recall about what to exercise with that. You could openly admit it and country how you plan to win, or distance yourself from playing that game altogether.
All writing solves problems, whether it shows usa how to brand a lasagna in seven easy steps or transforms our sense of self through an epic, 700-folio journey. Figure out the problem and you'll find the solution.
Lesson three: 3-deed structure applies to all writing.
Male child loses his begetter, evil servant takes the throne, orphan prince grows upwards and wins it dorsum. That's The Panthera leo King. And, with a few tweaks, a sub-plot in Lord of the Rings, Aladdin and Prince of Persia. All fantastic stories with the exact same three-deed structure. That's how universal this idea is.
From Aesop to Plato to Shakespeare to George R. R. Martin, all not bad storytellers through the ages have used the holy trinity of writing structure: showtime, center and end. Steve argues that, similar the Hero'south Journey, three-human activity structure is how we connect with stories on the level of the soul, and, therefore, not optional.
Whether you call information technology hook, build, and payoff, setup, progression, and punchline, or beginning, middle and end, the rules remain the aforementioned. Every story, every slice of text, must pull united states of america in, string the states forth, and and so reward u.s. with a one thousand finale. The starting time role kicks off the story and makes us curious equally to what'll happen. The second act puts the villain on the scene, with events getting darker and darker until, in the last act, the hero saves the twenty-four hour period.
This applies to fiction, not-fiction, page 17 news manufactures and anything in-between. The characters can be humans, animals, or constructs of the mind. Everything is variable, every bit long every bit you stick to the path that all of the world'south greatest writers have followed you lot before.
Nobody Wants to Read Your Sh*t Review
If you're a writer, peculiarly a young writer, become this volume. You lot'll larn all the about important fundamentals you haven't heard of, and so some. If you've honed your craft for a while already, and have consumed all the classics, Steve might not tell you annihilation new, only information technology'll be a refreshing reminder of core writing concepts withal. This belongs in every writer's arsenal, in my stance.
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What else tin can you lot learn from the blinks?
- Why even the people who like reading don't want to read your sh*t
- The reason Steve was happy to work for a guy who always showed upward an hour late
- What the concept of Homer's Iliad is
- Which theme made Breaking Bad such a dandy prove
- Why sometimes, you lot just have to alive your life to become a better writer
- The one other framework that works, too iii-act construction
- What lessons nosotros can larn about stories from The Silver Linings Playbook
- Which part of your book you must effigy out first
Who would I recommend the Nobody Wants to Read Your Sh*t summary to?
The 26 yr quondam writer, who wants to brand a living writing books and articles about stuff that fascinates him, the 50 twelvemonth onetime working mother, who knows she's got a book inside her, and anyone who tells their story online in video, writing or audio.
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